Old Man And The Sea Summary
Old Man And The Sea Summary
The Old Man and the Sea
by Ernest Hemingway (1899 - 1961)
Type of Work:
Symbolic drama
Setting
North Coast of Cuba; early twentieth century
Principal Characters
Santiago, an old, weathered fisherman Manolin , a boy, Santiago's young fishing companion The Marlin, a gigantic fish
Story Overveiw
Eighty-four days had passed since Santiago, the old fisherman, had caught a fish, and he was forced to suffer not only the ridicule of younger fishermen, but
near-starvation as well. Moreover, Santiago had lost his young companion, a
boy named Manolin, whose father had ordered him to leave Santiago in order to
work with more successful seamen. But the devoted child still loved Santiago,
and each day brought food and bait to his shack, where they indulged in their
favorite pastime: talking about the American baseball leagues. The old man's
hero was the New York Yankees' Joe DiMaggio. Santiago identified with the
ballplayer's skill and discipline, and declared he would like to take the great
DiMaggio fishing some time.
After visiting one particular afternoon, the boy left Santiago, who fell asleep.
Lions immediately filled his dreams. As a boy he had sailed to Africa and had
seen lions on the beaches. Now, as an old man, he constantly dreamed of the
great and noble beasts.
He no longer dreamed of storms, nor of women, nor of Great occurrences, nor
of great fish, nor fights nor contests of strength, nor of his wife. He only
dreamed of places now and of the lions on the beach ... He loved them as he
loved the boy.
Before dawn of the next day, the fisherman, as usual, hauled his salt-encrusted
skiff onto the beach and set out by himself. But today, in hopes of breaking his
unlucky streak, he was determined to sail into deep waters, out much farther
than the other anglers would go. He followed the sea birds and flying fish; they
would tell him b y their movements where the fish congregated.
He watched the turtles swimming near his boat. He loved the turtles, "with their
elegance and speed... "
Most people are Heartless about turtles because a turtle's heart will beat for
hours after he has been cut tip and butchered. The old man thought, I have
such a heart too ...
Early on, Santiago managed to land a tenpound tuna. Thinking this a good
omen, he used the fresh meat to bait one of his lines. By now he was far away
from land, and much farther out than all the other fishermen. Resisting the
temptation to sleep or to let his mind wander, Santiago concentrated on his lines
reaching deep into the dark green waters.
At noon he felt a bite. Testing his line, he guessed that it must be a marlin
nibbling at the tuna bait. "He must be huge," the old man thought, and waited
anxiously for a strike. Suddenly, the fish took the bait entirely and began to swim
furiously out to sea, dragging the boat behind him. The fish was so powerful that
Santiago was helpless to stop him; he could only brace himself against the
weight placed on the taut line that cut across his shoulders and hold on until the
fish exhausted its strength. Darkness fell, and still the fish swam steadily out to
sea. The seaman spent a grueling night with the line looped painfully round his
back. Though he was weak, old and all alone, Santiago knew many tricks, and
possessed skills the young men yet lacked. Besides, he loved the sea with a
passion and had faith that she would handle him with reverent, though bitter,
kindness. Once, when the fish gave a sudden tug, the line slashed Santiago's
cheek. "Fish," the old man vowed softly, "I'll stay with you until I am dead."
Then he began to pity the great fish that he had hooked. He is wonderful and
strange and u)ho knows how old he is, he thought ... Perhaps he is too wise to
jump. He could ruin me by jumping or by a wild rush. But perhaps he has been
hooked many times before and he knows that this is how he should make his
fight. He cannot know that it is only one man against him, or that it is an old man
...
His choice had been to stay in the deep dark water far out beyond all snares
and traps and treacheries. My choice was to go there to find him beyond all
people .... Now we are joined together and have been since noon. And no one to
help either of us.
By morning of the second day the fish was still beading northward; vigorous,
seemingly tireless strokes of its tail guided it forward. There was no land in sight.
A stiffening cramp in Santiago's left hand, a wicked slice in his right, and his
shivering from cold was hampering his work. "I wish I had the boy," he said aloud.
All at once the fish surfaced and leaped into the air. Santiago marveled at the
enormous, lavender marlin, two feet longer than the boat itself - the biggest fish
the old man had ever seen.
Once again the fish set out, relentlessly towing the boat. Santiago could do
nothing but hold on and wait.
Sitting in the hot afternoon sun, Santiago cut strips from the tuna and chewed
them slowly. He drank sparingly. Throughout his ordeal, he spoketo his only
friends: the birds that came to rest on the side of the skiff. He spoke to his
brother, the great fish. He also addressed his cramped hands and arms, as
though they, like himself and the fish, were in their own, detatched struggles for
survival. His mind constantly returned to baseball, the lions - and Manolin. Over
and over he longed for the boy to be with him, to help him land the fish and to
take his mind from his cut hand and aching back. He wondered how the Yankees
were doing, envying the younger fishermen who could afford radios in their
boats to listen to the games. He thought of DiMaggio, wondering if the "Yankee
Clipper" would stay with a fish as long as Santiago had stayed with this one. "I am
sure he would and more since he is young and strong," he thought. "Also his
father was a fisherman."
At one point, Santiago fell into a daydream about an arm-wrestling match he'd
had as a young man. The contest with "the great negro ... who was the strongest
man on the docks" had lasted twenty-four hours, but Santaigo had held out - and
won.
Amid these reveries, night fell again. Santiago allowed himself a moment's
sleep, and dreamed of the lions. All night he instinctively played the line.
At sunrise on the third day, the marlin began to circle; and after hours of
struggling, the drained and dizzy fisherman finally managed to bring the fish
close to the surface. Then, on one of its many passes by the side of the boat, the
old man took aim and drove the harpoon with all his strength into its side. The
fish "came alive, with death in him"; it shook violently, rose high out of the water,
hung in the air, then fell in a great mist of salt spray. Its struggle over, now it
floated, motionless...... I think the great DiMaggio would be proud of me today,"
said the old man.
After resting his sore muscles and sipping some water, Santiago examined his
catch. Far too big to be brought into the boat, the fish had to be lashed alongside
it. Santiago soaked his hands in the salt water and tried to keep his head clear.
He mused on his great prize, which seemingly sailed next to his boat. "Is he
bringing me in or am I bringing him in?" the old man thought. "Let him bring me in
if it pleases him. I am only better than him through trickery and he meant me no
harm." Still, the fish would bring him fame and fortune when he arrived in Havana
Harbor.
But Santiago's problems were far from over; he was still a day's journey from
land, and he knew that the fish's blood would attract sharks.
And after a short time, the swift, hungry makos and hammerheads did come.
Without fear, they began tearing hunks of flesh from the marlin. Despite
Santiago's all-day resolute efforts to kill and beat them off, sharks continued to
close in, hitting the carcass again and again. His hands and arms bleeding and
raw, the weary sailor was beaten - the sharks would leave him nothing but a
huge skeleton. He bowed his head: "I'm sorry, fish."
Not until deep into the night did Santiago steer his skiff into the quiet village
harbor. Dutifully, he beached his skiff, dragged his mast and sails into their shed,
and finally crawled off to his shack, to welcome slumber.
The next morning, Manolin came to Santiago's shack and found his old friend.
"The boy saw that the old man was breathing and then he saw the old man's
hands and he started to cry." All the way down the road, as he retrieved some
coffee for Santiago, he cried.
When Santiago woke, the boy told him that he'd been presumed lost at sea, and
that search planes had been dispatched to find him. The other fishermen had
seen the marlin's skeleton and were astonished at its size - eighteen feet from
nose to tail. Manolin brought the old man food, nursed his wounds, and firmly
told the fisherman, "Now we fish together again." Then he left Santiago, to sleep.
And the old man dreamed about the lions.
Commentary
Everything about The Old Man & The Sea is classically simple. The style is pure
Hemingway: short, Straightforward sentences with one-syllable words. The
storyline is linear - easy enough for a child to follow - and the themes are clear
and basic, touting manly courage, endurance, and noble suffering.
In fact, the novel would be little more than an adventure story were it not for
Santiago's dialogues with himself - his repetitive and symbolic musings,
daydreams and plottings.
Unlike other fishermen, who see the ocean merely in terms of economic gain,
Santiago looks on the sea and its inhabitants with love and respect. Notably, he
prefers to call the sea "la mar," its feminine form, rather than the harsher,
masculine "el mar."
Some readers may see Christian symbolism in the story: Santiago means St.
James in Spanish; the battle with the fish lasts three days; Santiago, arriving at
the shore, carries his mast, like a cross, on his shoulders, and, like the biblical
Christ, stumbles under its load. Later, the fisherman lies down exhausted on the
floor of his hut with his arms stretched out stiffly and the palms of his hands up.
But the giant fish - representing the hopes and dreams of mankind - and the old
man's relationship with it, is what creates the extraordinary pathos of the novel.
And, in the end, even Santiago's (humankind's) modest expectations are
snatched from his grasp.
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