Ralph Ellison Invisible Man
Ralph Ellison-Invisible Man“Who the hell am I” (Ellison 386)? This question puzzled the invisible man, the unidentified, anonymous narrator of Ralph Ellison’s acclaimed novel, Invisible Man. Throughout the story, the narrator embarks on a mental and physical journey to seek what the narrator believes is “true identity,” a belief quite mistaken, for he, although unaware of it, had already been inhabited by true identities all along. Ellison, in Invisible Man, uses the main characters invisibility and conflict with the outside world to illustrate the confusion of identity that many people experience.
The narrator’s life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels a “wearing on the nerves” (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
The narrator thinks the many identities he possesses do not reflect him, but he fails to recognize that identity is simply a mirror that reflects the surroundings and the person who looks into it. It is only in this reflection of the immediate surrounding that the viewers can relate to the narrator’s identity. The viewers see only the part of the narrator that is apparently connected to the viewer’s own world. The part obscured is unknown and, therefore, insignificant. Lucius Brockway, an old operator of the paint factory, saw the narrator only as an existence threatening his job, despite that the narrator is sent there to merely assist him. Brockway repeatedly questions the narrator of his purpose there and his mechanical credentials but never even bother to inquire his name. Because to the old fellow, who the narrator is as a person is uninterested. What he is as an object and what that object’s relationship is to Brockway’s engine room is important. The narrator’s identity is pulled from this relationship, and this relationship suggests to Brockway that his identity is a “threat.” However, the viewer decides to see someone as the identity they assign to that person. The Closing of The American Mind, by Allan Bloom, explains this identity phenomenon by comparing two “ships of states” (Bloom 113). If one ship “is to be forever at sea, [and] another is to reach port and the passengers go their separate ways, they think about one another and their relationships on the ship very differently in the two cases” (Bloom 113). In the first state, friends will be acquainted and enemies will be formed, while in the second state, the passengers will most likely not bother to know anyone new, and everyone will get off the ship and remain strangers to...
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