Willy Loman as a tragic hero
Willy Loman as a tragic heroWilly Loman as a Tragic Hero in Death of a Salesman
It makes little sense that tragedy should only pertain to those in high ranks. As explained in his essay “Tragedy and the Common Man,” Arthur Miller sets out the pattern for his own idea of a tragedy and the tragic hero. This pattern supports the idea that a tragedy can occur in characters of common men as well as those in high places. In his paper, he demonstrates that it should be possible for everyone to be able to identify with the tragic hero. Miller redefines tragedy as more common occurrence than what might happen in such tragedies as portrayed by Shakespeare and Euripides, thus defining Death of a Salesman as a tragedy.
Willy Loman is a tragic hero. He wants to believe that he’s a well liked, decent person who doesn’t make mistakes. The truth is that he makes mistakes, many that haunt him, and that he is human. Willy does not consider this normal and severely regrets failures such as raising his children poorly, not doing well in business, and cheating on his wife Linda. “The quality in such plays that does shake us… derives from the underlying fear of being displaced, the disaster inherent in being torn away from our chosen image of what and who we are in the world” (Miller, “Tragedy…”). Willy’s “underlying fear of being displaced” is the real tragedy. Consistently throughout the play, Willy drifts in and out of a dream. He is constantly haunted by memories of his brother Ben who struck it rich the jungle. He also has flashbacks of incidents that haunt him in other areas. For example, the sequence in which Biff catches Willy with a woman other than Linda. This haunts Willy because he sees it as part of why Biff does not love him. “Tragedy then is the consequence of a man’s total compulsion to evaluate himself justly” (Miller, “Tragedy…”). This is Willy’s flaw. The circumstances in his life and the identity he has created for himself are being affronting by his inner reality to “evaluate himself justly.” This flaw is “…his inherent unwillingness to remain passive in the face of what he conceives to be a challenge to his dignity, his image or his rightful status” (Miller, “Tragedy…”). Indeed this is the case with Willy. He decides to take action rather than complacently become outdated. Willy continually argues with those around him in order to try to keep his personal dignity. These include his argument with Howard that he can still sell, his arguments with Charley over the card game and the job, and his argument with Biff about not being “a dime a dozen.” “I am not a dime a dozen! I am Willy Loman and you are Biff Loman” (Miller, Death… 132)!
Willy, in addition to meeting Miller’s definition of a tragic hero, in a way connects with the...
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